Recorded at Vanity Sound in Brooklyn, NY, Jason and Myles Turney began recording to analog tape, giving the foundational tracks a scrappy, raw quality, evocative of roots-based albums like Lucinda Williams' "Car Wheels On A Gravel Road," or, more modern day Wilco’s “Sky Blue Sky.” These songs also contained big, melody-driven, pop ambitions in the

Recorded at Vanity Sound in Brooklyn, NY, Jason and Myles Turney began recording to analog tape, giving the foundational tracks a scrappy, raw quality, evocative of roots-based albums like Lucinda Williams' "Car Wheels On A Gravel Road," or, more modern day Wilco’s “Sky Blue Sky.” These songs also contained big, melody-driven, pop ambitions in the vein of records like Counting Crows’ “August and Everything After,” or The Wallflowers’ “Bringing Down The Horse”—90’s rock records that occupied Jason’s world when he was a teenager growing up in a small mill town. Rather than try to grapple with these two influences, Jason tried to make a record where they both could sit side by side at the same musical table. Swing for the fences, but let me hear a little bit of dirt in the grooves.

Engineered and mixed by Myles Turney at Vanity Sound in Brooklyn, NY

Mastered by Alex DeTurk at Masterdisk in New York, NY

Produced by Jason Myles Goss

Jason Myles Goss – Vocals, Acoustic Guitar, Electric Rhythm Guitar on “Home,” Tambourine on “Black Lights”

David Dawda – Electric Bass, Upright Bass

Austin Nevins – Electric Guitar, Acoustic Guitar, Baritone Guitar, Lap Steel, Banjo, Baritone Ukulele, Omnichord, Glockenspiel

Sam Kassirer – Piano, Organ, Accordion, Fender Rhodes, Vibraphone

Joel Arnow – Drums, Tambourine, Shaker, Vocals on “New York City”

Myles Turney – Vocals on “New York City”

Copyright 2012, Jeswaldo Sounds (ASCAP). All Rights Reserved.

Album Photography by Doug Seymour

Album Design by Jason Kenison